Trial Outcomes & Findings for Song-making In a Group (SING) R61 (NCT NCT05537428)
NCT ID: NCT05537428
Last Updated: 2025-06-15
Results Overview
Speech patterns of participants will be analyzed pre and post intervention using the Linguistic Inquiry and Word Counting Program on interviews conducted prior to and post musical intervention. The use of personal pronouns was quantified using James Pennebakers Linguistic Inquiry and word counting software (LIWC). The LIWC suggests that the frequent use of I is related to distress. The investigators compared use of I pre and post music visits. A decrease in usage post intervention indicates a positive outcome.
COMPLETED
NA
39 participants
baseline and Within one week of study completion (final MI session of 4), an average of 5 weeks
2025-06-15
Participant Flow
Participant milestones
| Measure |
Musical Intervention
Participants will work together in a group with other voice hearers, making music with a trained facilitator for 4 weekly sessions
Musical Intervention: A trained musician-facilitator will convene a series of four weekly two-hour sessions to which groups of five participants will be invited. The facilitator provides keyboard, professional microphone, recording interface, headphones, guitar, computer and a Digital Audio Workstation (DAW) for recording.
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|---|---|
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Overall Study
STARTED
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39
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Overall Study
COMPLETED
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35
|
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Overall Study
NOT COMPLETED
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4
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Reasons for withdrawal
Withdrawal data not reported
Baseline Characteristics
one participant did not report an age
Baseline characteristics by cohort
| Measure |
Musical Intervention
n=35 Participants
Participants will work together in a group with other voice hearers, making music with a trained facilitator for 4 weekly sessions
Musical Intervention: A trained musician-facilitator will convene a series of four weekly two-hour sessions to which groups of five participants will be invited. The facilitator provides keyboard, professional microphone, recording interface, headphones, guitar, computer and a Digital Audio Workstation (DAW) for recording.
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|---|---|
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Age, Categorical
<=18 years
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0 Participants
n=34 Participants • one participant did not report an age
|
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Age, Categorical
Between 18 and 65 years
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33 Participants
n=34 Participants • one participant did not report an age
|
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Age, Categorical
>=65 years
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1 Participants
n=34 Participants • one participant did not report an age
|
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Sex: Female, Male
Female
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15 Participants
n=35 Participants
|
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Sex: Female, Male
Male
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20 Participants
n=35 Participants
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Ethnicity (NIH/OMB)
Hispanic or Latino
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4 Participants
n=35 Participants
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Ethnicity (NIH/OMB)
Not Hispanic or Latino
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30 Participants
n=35 Participants
|
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Ethnicity (NIH/OMB)
Unknown or Not Reported
|
1 Participants
n=35 Participants
|
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Race (NIH/OMB)
American Indian or Alaska Native
|
0 Participants
n=35 Participants
|
|
Race (NIH/OMB)
Asian
|
1 Participants
n=35 Participants
|
|
Race (NIH/OMB)
Native Hawaiian or Other Pacific Islander
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0 Participants
n=35 Participants
|
|
Race (NIH/OMB)
Black or African American
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15 Participants
n=35 Participants
|
|
Race (NIH/OMB)
White
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15 Participants
n=35 Participants
|
|
Race (NIH/OMB)
More than one race
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2 Participants
n=35 Participants
|
|
Race (NIH/OMB)
Unknown or Not Reported
|
2 Participants
n=35 Participants
|
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Region of Enrollment
United States
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35 participants
n=35 Participants
|
PRIMARY outcome
Timeframe: baseline and Within one week of study completion (final MI session of 4), an average of 5 weeksSpeech patterns of participants will be analyzed pre and post intervention using the Linguistic Inquiry and Word Counting Program on interviews conducted prior to and post musical intervention. The use of personal pronouns was quantified using James Pennebakers Linguistic Inquiry and word counting software (LIWC). The LIWC suggests that the frequent use of I is related to distress. The investigators compared use of I pre and post music visits. A decrease in usage post intervention indicates a positive outcome.
Outcome measures
| Measure |
Musical Intervention
n=35 Participants
Participants will work together in a group with other voice hearers, making music with a trained facilitator for 4 weekly sessions
Musical Intervention: A trained musician-facilitator will convene a series of four weekly two-hour sessions to which groups of five participants will be invited. The facilitator provides keyboard, professional microphone, recording interface, headphones, guitar, computer and a Digital Audio Workstation (DAW) for recording.
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|---|---|
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Change in Language Use Assessed Using Word Count
Pre-Intervention
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9.93 word count
Standard Deviation 1.91
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Change in Language Use Assessed Using Word Count
Post-Intervention
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8.57 word count
Standard Deviation 2.00
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PRIMARY outcome
Timeframe: baseline and Within one week of study completion (final MI session of 4), an average of 5 weeksSocial belief updating under uncertainty will be analyzed using a probabilistic reversal learning task. Participants will be asked to choose between stimuli on a computer screen that will increase or decrease their points score. Here win-switches are assessed. Participants should choose the best deck as much as possible, and should understand that the best deck can change from time to time. Points achieved as well as the patterns of errors committed will be analyzed.
Outcome measures
| Measure |
Musical Intervention
n=35 Participants
Participants will work together in a group with other voice hearers, making music with a trained facilitator for 4 weekly sessions
Musical Intervention: A trained musician-facilitator will convene a series of four weekly two-hour sessions to which groups of five participants will be invited. The facilitator provides keyboard, professional microphone, recording interface, headphones, guitar, computer and a Digital Audio Workstation (DAW) for recording.
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|---|---|
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Change in Social Belief Updating
Pre win switch rate
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0.135 win-switches
Standard Deviation 0.141
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Change in Social Belief Updating
Post win switch rate
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0.127 win-switches
Standard Deviation 0.190
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PRIMARY outcome
Timeframe: baseline and Within one week of study completion (final MI session of 4), an average of 5 weeksSocial belief updating under uncertainty will be analyzed using a model derived parameter on volatility. Participants will be asked to choose between stimuli on a computer screen that will increase or decrease their points score. Participants should choose the best deck as much as possible, and should understand that the best deck can change from time to time. A model derived parameter on volatility, Mu3, is based on participants behavior and their belief about how volatile the task might be. It has arbitrary units.
Outcome measures
| Measure |
Musical Intervention
n=39 Participants
Participants will work together in a group with other voice hearers, making music with a trained facilitator for 4 weekly sessions
Musical Intervention: A trained musician-facilitator will convene a series of four weekly two-hour sessions to which groups of five participants will be invited. The facilitator provides keyboard, professional microphone, recording interface, headphones, guitar, computer and a Digital Audio Workstation (DAW) for recording.
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|---|---|
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Change in Social Belief Updating- Volatility
Pre-Intervention
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0.239 Mu3
Standard Deviation 0.523
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Change in Social Belief Updating- Volatility
Post-Intervention
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-0.00860 Mu3
Standard Deviation 0.819
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PRIMARY outcome
Timeframe: baseline and Within one week of study completion (final MI session of 4), an average of 5 weeksParticipants susceptibility to conditioned hallucinations during a perceptual inference task that presents auditory and visual stimuli through a computer program will be analyzed. Participant reports of hearing tones conditional on visual stimuli will be the key outcome.
Outcome measures
| Measure |
Musical Intervention
n=35 Participants
Participants will work together in a group with other voice hearers, making music with a trained facilitator for 4 weekly sessions
Musical Intervention: A trained musician-facilitator will convene a series of four weekly two-hour sessions to which groups of five participants will be invited. The facilitator provides keyboard, professional microphone, recording interface, headphones, guitar, computer and a Digital Audio Workstation (DAW) for recording.
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|---|---|
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Change in Conditioned Hallucinations
Pre-Intervention
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0.181652 mean number tone on no tone trials
Standard Deviation 0.148496
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Change in Conditioned Hallucinations
Post-Intervention
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0.166301 mean number tone on no tone trials
Standard Deviation 0.161581
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Adverse Events
Musical Intervention
Serious adverse events
Adverse event data not reported
Other adverse events
Adverse event data not reported
Additional Information
Results disclosure agreements
- Principal investigator is a sponsor employee
- Publication restrictions are in place