Trial Outcomes & Findings for Song-making In a Group (SING) R61 (NCT NCT05537428)

NCT ID: NCT05537428

Last Updated: 2025-06-15

Results Overview

Speech patterns of participants will be analyzed pre and post intervention using the Linguistic Inquiry and Word Counting Program on interviews conducted prior to and post musical intervention. The use of personal pronouns was quantified using James Pennebakers Linguistic Inquiry and word counting software (LIWC). The LIWC suggests that the frequent use of I is related to distress. The investigators compared use of I pre and post music visits. A decrease in usage post intervention indicates a positive outcome.

Recruitment status

COMPLETED

Study phase

NA

Target enrollment

39 participants

Primary outcome timeframe

baseline and Within one week of study completion (final MI session of 4), an average of 5 weeks

Results posted on

2025-06-15

Participant Flow

Participant milestones

Participant milestones
Measure
Musical Intervention
Participants will work together in a group with other voice hearers, making music with a trained facilitator for 4 weekly sessions Musical Intervention: A trained musician-facilitator will convene a series of four weekly two-hour sessions to which groups of five participants will be invited. The facilitator provides keyboard, professional microphone, recording interface, headphones, guitar, computer and a Digital Audio Workstation (DAW) for recording.
Overall Study
STARTED
39
Overall Study
COMPLETED
35
Overall Study
NOT COMPLETED
4

Reasons for withdrawal

Withdrawal data not reported

Baseline Characteristics

one participant did not report an age

Baseline characteristics by cohort

Baseline characteristics by cohort
Measure
Musical Intervention
n=35 Participants
Participants will work together in a group with other voice hearers, making music with a trained facilitator for 4 weekly sessions Musical Intervention: A trained musician-facilitator will convene a series of four weekly two-hour sessions to which groups of five participants will be invited. The facilitator provides keyboard, professional microphone, recording interface, headphones, guitar, computer and a Digital Audio Workstation (DAW) for recording.
Age, Categorical
<=18 years
0 Participants
n=34 Participants • one participant did not report an age
Age, Categorical
Between 18 and 65 years
33 Participants
n=34 Participants • one participant did not report an age
Age, Categorical
>=65 years
1 Participants
n=34 Participants • one participant did not report an age
Sex: Female, Male
Female
15 Participants
n=35 Participants
Sex: Female, Male
Male
20 Participants
n=35 Participants
Ethnicity (NIH/OMB)
Hispanic or Latino
4 Participants
n=35 Participants
Ethnicity (NIH/OMB)
Not Hispanic or Latino
30 Participants
n=35 Participants
Ethnicity (NIH/OMB)
Unknown or Not Reported
1 Participants
n=35 Participants
Race (NIH/OMB)
American Indian or Alaska Native
0 Participants
n=35 Participants
Race (NIH/OMB)
Asian
1 Participants
n=35 Participants
Race (NIH/OMB)
Native Hawaiian or Other Pacific Islander
0 Participants
n=35 Participants
Race (NIH/OMB)
Black or African American
15 Participants
n=35 Participants
Race (NIH/OMB)
White
15 Participants
n=35 Participants
Race (NIH/OMB)
More than one race
2 Participants
n=35 Participants
Race (NIH/OMB)
Unknown or Not Reported
2 Participants
n=35 Participants
Region of Enrollment
United States
35 participants
n=35 Participants

PRIMARY outcome

Timeframe: baseline and Within one week of study completion (final MI session of 4), an average of 5 weeks

Speech patterns of participants will be analyzed pre and post intervention using the Linguistic Inquiry and Word Counting Program on interviews conducted prior to and post musical intervention. The use of personal pronouns was quantified using James Pennebakers Linguistic Inquiry and word counting software (LIWC). The LIWC suggests that the frequent use of I is related to distress. The investigators compared use of I pre and post music visits. A decrease in usage post intervention indicates a positive outcome.

Outcome measures

Outcome measures
Measure
Musical Intervention
n=35 Participants
Participants will work together in a group with other voice hearers, making music with a trained facilitator for 4 weekly sessions Musical Intervention: A trained musician-facilitator will convene a series of four weekly two-hour sessions to which groups of five participants will be invited. The facilitator provides keyboard, professional microphone, recording interface, headphones, guitar, computer and a Digital Audio Workstation (DAW) for recording.
Change in Language Use Assessed Using Word Count
Pre-Intervention
9.93 word count
Standard Deviation 1.91
Change in Language Use Assessed Using Word Count
Post-Intervention
8.57 word count
Standard Deviation 2.00

PRIMARY outcome

Timeframe: baseline and Within one week of study completion (final MI session of 4), an average of 5 weeks

Social belief updating under uncertainty will be analyzed using a probabilistic reversal learning task. Participants will be asked to choose between stimuli on a computer screen that will increase or decrease their points score. Here win-switches are assessed. Participants should choose the best deck as much as possible, and should understand that the best deck can change from time to time. Points achieved as well as the patterns of errors committed will be analyzed.

Outcome measures

Outcome measures
Measure
Musical Intervention
n=35 Participants
Participants will work together in a group with other voice hearers, making music with a trained facilitator for 4 weekly sessions Musical Intervention: A trained musician-facilitator will convene a series of four weekly two-hour sessions to which groups of five participants will be invited. The facilitator provides keyboard, professional microphone, recording interface, headphones, guitar, computer and a Digital Audio Workstation (DAW) for recording.
Change in Social Belief Updating
Pre win switch rate
0.135 win-switches
Standard Deviation 0.141
Change in Social Belief Updating
Post win switch rate
0.127 win-switches
Standard Deviation 0.190

PRIMARY outcome

Timeframe: baseline and Within one week of study completion (final MI session of 4), an average of 5 weeks

Social belief updating under uncertainty will be analyzed using a model derived parameter on volatility. Participants will be asked to choose between stimuli on a computer screen that will increase or decrease their points score. Participants should choose the best deck as much as possible, and should understand that the best deck can change from time to time. A model derived parameter on volatility, Mu3, is based on participants behavior and their belief about how volatile the task might be. It has arbitrary units.

Outcome measures

Outcome measures
Measure
Musical Intervention
n=39 Participants
Participants will work together in a group with other voice hearers, making music with a trained facilitator for 4 weekly sessions Musical Intervention: A trained musician-facilitator will convene a series of four weekly two-hour sessions to which groups of five participants will be invited. The facilitator provides keyboard, professional microphone, recording interface, headphones, guitar, computer and a Digital Audio Workstation (DAW) for recording.
Change in Social Belief Updating- Volatility
Pre-Intervention
0.239 Mu3
Standard Deviation 0.523
Change in Social Belief Updating- Volatility
Post-Intervention
-0.00860 Mu3
Standard Deviation 0.819

PRIMARY outcome

Timeframe: baseline and Within one week of study completion (final MI session of 4), an average of 5 weeks

Participants susceptibility to conditioned hallucinations during a perceptual inference task that presents auditory and visual stimuli through a computer program will be analyzed. Participant reports of hearing tones conditional on visual stimuli will be the key outcome.

Outcome measures

Outcome measures
Measure
Musical Intervention
n=35 Participants
Participants will work together in a group with other voice hearers, making music with a trained facilitator for 4 weekly sessions Musical Intervention: A trained musician-facilitator will convene a series of four weekly two-hour sessions to which groups of five participants will be invited. The facilitator provides keyboard, professional microphone, recording interface, headphones, guitar, computer and a Digital Audio Workstation (DAW) for recording.
Change in Conditioned Hallucinations
Pre-Intervention
0.181652 mean number tone on no tone trials
Standard Deviation 0.148496
Change in Conditioned Hallucinations
Post-Intervention
0.166301 mean number tone on no tone trials
Standard Deviation 0.161581

Adverse Events

Musical Intervention

Serious events: 0 serious events
Other events: 0 other events
Deaths: 0 deaths

Serious adverse events

Adverse event data not reported

Other adverse events

Adverse event data not reported

Additional Information

Philip Corlett

Yale University

Phone: 2039747866

Results disclosure agreements

  • Principal investigator is a sponsor employee
  • Publication restrictions are in place